16 Mar 2013 2013, Derry Londonderry, Dublin, Incidents of Travel, Ireland, Natural History, Sean Lynch, seminar, seminario, studio visit, talk, tours, visiting lecturer
View of Dublin's 1816 Ha'penny Bridge nearby Temple Bar.
Invited by Dublin City Council: The Arts Office, Latitudes visited art spaces, artists' studios and galleries in Dublin and Derry-Londonderry throughout the week.
The schedule included visits to the Red Stables Studios; Temple Bar Gallery + Studios; Fire Station Artists' Studios; Green On Red Gallery; Kevin Kavanagh Gallery and Project Arts Centre - Visual Arts, as well as talks by Latitudes to students of the MA in Visual Arts Practices (MAVIS) (8 March, 3pm), and at the recently inaugurated CCA Derry~Londonderry (9 March, 7pm) as well as participation in the seminar "Within the Public Realm" at the Dublin City Gallery The Hugh Lane (12 March, 2–5pm), alongside curator Aisling Prior and the artist Sean Lynch.
Latitudes was invited to Dublin in the context of the Barcelona Mayor's visit to Dublin and the renewing of the twinning agreement between the two cities. Here a coffee table at the Lord Mayor's Mansion House displays "Atlas of the Irish Rural Landscape" and "Barcelona" books. Talking to MA in Visual Arts Practice (MAVIS) students at The Lab on 8 March. Photo: @lemuela
9 March: After +4h bus ride north, we arrive at Centre for Contemporary Art in Derry–Londonderry for a talk that evening at 7pm.View of CCA's galleries hosting the touring exhibition The Grand Domestic Revolution GOES ON (GDR), which in Derry-Londonderry "focuses on the contemporary working conditions of caregivers—primarily mothers and grandmothers—in the domestic sphere."
In the galleries, two of the London-based design collective Åbäke (Patrick Lacey, Benjamin Reichen, Kajsa Ståhl and Maki Suzuki), building a bed inspired by a 1970s design by Enzo Mari.
Aileen Burns and Johan Lundh, co-directors of CCA Derry–Londonderry, hosted a wonderful Thai pre-talk dinner.
Sunday walk around the Bloody Sunday Memorial and the Bogside area of Derry-Londonderry.
Two of the murals around Bogside.
Ernesto Che Guevara Lynch mural in Derry-Londonderry's Bogside.
With Aileen and Johan at Kinnagoe Bay in Donegal, site of 1588 shipwreck of one of the Spanish Armada ships.
11 March: Back to our temporary home in Dublin's The Red Stables in St. Anne's Park.
A windswept North Bull Island looking towards the city.
Visitor Centre at North Bull Island.
12 March: Studio visits at Temple Bar Studios + Gallery in the heart of the city.
Setting up for the 2–5pm talk at The Hugh Lane Dublin City Gallery organised by MAVIS, The Hugh Lane and Dublin City Council.
After the seminar, artists Sean Lynch and Michele Horrigan took us to see the 'failed' Richard Serra nearby the Guiness factory.
13 March: Visiting the sculpture workshop facilities of Fire Station Artists' Studios with Development Manager Liz Burns and Director Clodagh Kenny.
Studio of Martin Healy in Fire Station Artists' Studios and his work around perpetual motion.
Artist Maria Mc Kinney research on wheat weaving and straw craft techniques for her project 'Garlands'.
Karl Burke "wooden drawings" photos and renderings.
Crossing the Sean O'Casey bridge to begin a gallery tour including Green on Red Gallery, Kevin Kavanagh Gallery, The Douglas Hyde Gallery, Project Arts Space and Temple Bar Studios + Gallery, with Dublin-based critic, curator and Senior Lecturer at the School of Irish, Celtic, Folklore & Linguistics, Caioimhin MacGiolla Leith.
Group show "Material Fact" at Green On Red Gallery included works by Silvia Bächli, Paul Doran, Dennis McNulty and Gerard Byrne (photographed), one of the more well-known Irish artists.
'Detached' group show at Project Arts Centre, guest curated by The Artists' Institute director and founder Anthony Huberman, recently appointed Director of CCA Wattis in San Francisco.
Alice Channer's "Amphibians" (left) and Sunah Choi's "Abdrucke (Imprints)", 2011-13 (wall)
Gathering plenty of material during studio visits, lunches, dinners and meetings.
14 March: Morning visit to the wondrous Natural History, a 1857 building displaying "animals from Ireland and overseas, also geological exhibits from a total collection of about 2 million scientific specimens".
Ground floor gallery dedicated to dedicated to "Irish animals, featuring giant deer skeletons and a variety of mammals, birds and fish".
The minimal education department are doing a great job at dynamising the nicknamed "Dead Zoo" or "Museum of Museums": The 5 year old giraffe has her own twitter account @SpotticusNH and they will soon host a "night at the museum" event where a few kids will be able to sleep (or try to) in the museum galleries.
The stunning upper gallery was "laid out in the 19th Century in a scientific arrangement showing animals by taxonomic group. This scheme demonstrated the diversity of animal life in an evolutionary sequence." Unfortunately the second and third floor balconies have been closed due to a safety review as they do not comply with current safety regulations, which impedes visitors from seeing, amongst many other things, the museum's unique collection of glass models manufactured in Dresden in the late 19th Century by the father-and-son team of Leopold and Rudolf Blaschka.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
15 Oct 2012 2012, Amikejo, conference, Mariana Cánepa Luna, Murcia, No Soul for Sale, prácticas curatoriales, Tate Modern, The Last Newspaper, visiting lecturer, X initiative
Mariana Cánepa Luna de Latitudes discutirá el rol del comisario a partir de tres proyectos recientes de Latitudes. Estos casos de estudio trazan enfoques de índole editorial (The Last Newspaper, New Museum, Nueva York (2010)); como organización participante (las dos ediciones del festival No Soul for Sale: A Festival of Independents en X Initiative, Nueva York (2009) y en Tate Modern (2010)); y en un ciclo expositivo anual ('Amikejo', MUSAC, León (2011)).
Este ciclo de conferencias mensuales analiza las diferentes profesiones que operan en el campo del arte contemporáneo, presentando aspectos que caracterizan la labor del crítico, el comisario, el productor cultural, el investigador y los responsables de espacios independientes. + info...
Ciclo co-dirigido por Ana G. Alarcón, Isabel Durante y Pablo Lag, componentes del grupo curatorial Primer Escalón.
Fotodocumentación de la conferencia aquí.
'The Last Newspaper' exhibition catalogue, New Museum, New York, 2010–11.
Lecture within the cycle "Cultural Professions", Aula de Cultura Caja Mediterráneo, Murcia, 17 October, 20h. Free.
Mariana Cánepa Luna of Latitudes will discuss the role of the curator in the context of three of Latitudes' recent projects. These case studies trace Latitudes' approach in an editorial context (The Last Newspaper, New Museum, New York (2010)); a year-long exhibition series ('Amikejo', MUSAC, León (2011)) and as an invited organisation (the two editions of No Soul for Sale: A Festival of Independents in X Initiative, New York (2009) and Tate Modern (2010)).
This cycle of monthly conferences centres on different professions within contemporary art, discussing aspects that characterise the practice of a cultural producer, a critic, a curator, a researcher and a member of an independent art space. + info...
Cycle co-directed by Ana G. Alarcón, Isabel Durante and Pablo Lag, from the curatorial group Primer Escalón.UPDATE: Photodocumentation of the lecture here.
All photos: Latitudes | www.lttds.org
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
12 Jun 2012 2012, Amikejo, audiencia, Campus, CGAC, comisariado, conference, No Soul for Sale, Portscapes, prácticas curatoriales, The Last Newspaper, visiting lecturer
'The Last..." los diez números semanales que conforman el catálogo final de la exposición "The Last Newspaper" (New Museum, 2010).
| ES | "El contrato curatorial: analogías y casos de estudio" analiza modelos extraídos de personajes de la cultura popular así como la terminología legal que pueden ayudarnos a definir algunos de los códigos éticos y profesionales que se establecen entre artistas y comisarios. A través del proyecto editorial 'The Last Newspaper' realizado por Latitudes en el New Museum en el 2010, se especulará sobre dicha relación y sobre como ésta dialoga con el público como participante del proceso curatorial.