Longitudes

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Latitudes’ "out of office": wrap up of the 2020-21 season

‘Keep the faith’ banner hanging at the entrance of La Escocesa studio facilities. All photos by Latitudes (unless otherwise noted in the photo caption).

This end of the season post is the thirteenth of the series – see 2008-92009-102010-112011-122012–132013–142014–152015–162016–172017–182018–19, 2019–20 posts. Unlike past years, there was no clear beginning to the 2020–21 season. As many of us experienced, the pandemic put our work and life plans on hold, at worst cancelled. August is usually a strange month for freelancers (at least in our sector and in these southern latitudes), as nothing much happens work-wise. Yet it can be a blessing if one has other activities to push through, such as writing or research, as hardly any work e-mails come into the inbox – even e-flux’s periodicity is reduced!— but it’s also a fearful period for income. 

We have been lucky to be able to work throughout this year on two group exhibitions: ‘Things Things Say’ at the Centre d'Art Contemporani de Barcelona Fabra i Coats (October 2020–January 2021) and the forthcoming ‘Notes for an Eye Fire’ at Museu d'Art Contemporani de Barcelona (MACBA) opening October 21, 2021, which has not only kept us afloat but also made it possible for us to work within our immediate context in times when travel has not been possible or even desired. Here's our 2020-21 from behind the scenes:

5 August 2020: Max’s (Contributing editor, frieze magazine since 2015) review of Daniel G. Andújar show at La Virreina coincided with the new launch of frieze redesigned website.


13 August 2020: Eulàlia Rovira sends us a view of the improvised recording studio she managed to set up at home in order to become the voice of the exhibition ‘Things Things Say’. We are deeply thankful to her for her flexibility and endurance in recording our texts in three languages deep in the summer heat and in the small hours of the night to avoid neighbourhood noises. #ThingsThingsSay


28 August 2020: 
Early meetings with Hiuwai Chu (Curator, MACBA) in preparation for the first Museu d'Art Contemporani de Barcelona's 
Panorama, a new series of recurring group shows focusing on the contemporary regional artistic scene [face masks were momentarily removed for the photo op!]. 
#PanoramaMACBA


31 August 2020: Between June and December 2020, Max was Editor of Season 01 of st_age and of TBA21’s social media. Pictured a "new normality" zoom with TBA21 team across Madrid and Vienna offices, plus team members in Prague, London, Ibiza, Barcelona, etc.  


7 September 2020: After months of communicating by phone and email with Pere Fernàndez Bori, president of the Friends of Fabra i Coats, we are finally able to meet IRL as he showed us around the association offices and archives. We are very thankful to Pere and the Friends of Fabra i Coats for their time and willingness to lend us materials for the exhibition at the Fabra i Coats: Contemporary Art Center of Barcelona. 



7 September 2020: First meeting with Rasmus Nilausen in the museum galleries. #PanoramaMACBA


9 September 2020:
Meeting with Laia Estruch to discuss her participation in MACBA’s Panorama 21. #PanoramaMACBA


15 September 2020: Conversation between Lola Lasurt and Rosa Maria Subirana Torrent, moderated by Ángel Calvo Ulloa, as part of Lasurt’s solo exhibition ‘Children's Games’ at La Capella. The conversation focused on Subirana’s meticulous inventory of the holdings of the first collections of contemporary art donated to the city as coordinator of Miró Year, which included the organisation of Joan Miró’s 1968 retrospective on the grounds of the former Hospital de la Santa Creu, the current venue of La Capella. Video here (Catalan and Spanish). Lasurt’s project was tutored by Latitudes as part of the 2020–21 season of Barcelona Producció.



23 September 2020: Self-timer selfie during our first studio visit with Marria Pratts in L’Hospitalet. #PanoramaMACBA


24 September 2020: As a culmination of Lasurt’s solo exhibition ‘Children’s Games’ at La Capella, and as part of Jordi Ferreiro’s mediation programme Exedra εξέδρα, Lasurt offered to paint a “transitional object” and to display it in a balcony of a neighbour of the Ciutat Vella district. In this case, the transitional object is a train from the cartoon series ‘A little engine that could’ (1991) that Meritxell used to watch on VHS with her grandparents as a child.


Photos: Eva Carasol.

28 September 2020: New episode of Incidents (of Travel) from Cabo Rojo, Puerto Rico went live! In the latest ‘Incidents (of Travel)’ dispatch from Cabo Rojo, in the southwestern corner of Puerto Rico, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin a day together by driving to the Cabo Rojo Salt Flats where Sofía researched her film ‘Assimilate & Destroy I’ (2018). 

Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. #IncidentsofTravel


29 September 2020: First video call with El Palomar (Mariokissme and R. Marcos Mota). #PanoramaMACBA


1 October 2020: Beginning of installation of ‘Things Things Say’. Arrival of the works by Stuart Whipps, Sarah Ortmeyer and Annette Kelm at Fabra i Coats. Arterri team transported the pieces from Berlin, Dunkerque and Birmingham to the art centre and were assisted by JBM Muntatges i produccions crew on-site to accommodate the works in the exhibition space. 




A socially distant download of Stuart Whipps's car. 






JBM Muntatges i produccions crew constructing walls.

Painting by J. Roscolor.


Jordà 14 transported the tables and chairs lent by the twenty generous lenders from Barcelona who agreed to participate in Haegue Yang’s ‘VIP’s Union’.

Condition reports by conservator Beatriz Montoliu assisted by two crew members of JBM Muntatges i produccions.

(↑↓ Above and two below) Wall texts and vinyl production by DPR Producció i Exposicions.


JBM Muntatges i produccions’ tools stash in front of Annette Kelm’s photographs.

Cleaning up around Sarah Ortmeyer’s ‘SABOTAGE’. 

17 October 2020: New restrictions against the spread of COVID-19 begin – bars and restaurants would end up closing for a month. The exhibition doors opened with little fanfare at Fabra i Coats although we were grateful that some familiar faces come to join us on this sunny autumn day. 

With curators Veronica Valentini, Andrea Rodriguez and Anna Manubens (curator of Wendelien van Oldenborgh's exhibition on the first and second floor).

19 October 2021: Max’s (Contributing editor, frieze magazine since 2015) review of Eulàlia Rovira’s exhibition ‘Esmorteir l'esmorteït’ at EtHALL, L’Hospitalet de Llobregat (Barcelona) publishes on frieze online.


21 October 2020: 365 days left to open Panorama at MACBA. Co-curators are already in sync! #PanoramaMACBA

Hiuwai and Mariana taking a break after two Zoom conversations.

Revising the Danish Arts Council funding application that thankfully granted support for Rasmus Nilausen’s work to be produced and presented in the forthcoming Panorama 21.

26 October 2020: Video call with Laia Estruch and MACBA’s Eva Font, Hiuwai Chu. #PanoramaMACBA


27 October 2020:
First Teams with MACBA’s communication and press departments. #PanoramaMACBA



30 October 2020: New restrictions apply in Catalonia against the spread of COVID-19 provoking the cancellation of all the activities programmed for ‘Things Things Say’, most importantly the one-time screening of Adrià Julià’s ‘Popcorn’ (2012) at Zumzeig Cinema on November 6 – finally able to be rescheduled and screened on January 8, 2021. Guided tours planned for La Nit dels Museus on November 14 (as well as tours planned for November 25, rescheduled for December 9), all have been cancelled, as well as the weekend free tours of the exhibitions at Fabra i Coats: Contemporary Art Centre of Barcelona

Adrià Julià, ‘Popcorn’ [Palomita], (2012). Vídeo HD, color, sonido. 90 min. Cortesía del artista.


13 November 2020: Continuing with online conversation-studio visits, this time with Arash Fayez#PanoramaMACBA



23 November 2020: Site visit of Laia Estruch to MACBA to discuss options for her sculptural intervention for Panorama 21. #PanoramaMACBA



24 November 2020: Second round of photo documentation of the exhibition ‘Things Things Say’ / ‘Cosas que las cosas dicen’ / ‘Coses que les coses diuen’ at Fabra i Coats: Centre d'Art Contemporani de Barcelona, with photographer Eva Carasol

Photo documentation of the show.


26 November–8 December 2020: One more year, we collaborate with DART Festival 2020 as jury members awarding the best national and international documentary: ‘Tierras construídas’ by Arturo Dueñas (España, 2019. 81 min. Castellano) and ‘The Proposal’ by Jill Magid (México, 2019. 82 min. Inglés). We are accompanied by film critic Quim Casas, and visual artist Jordi Colomer.


1 December 2020: Visiting Stella Rahola’s studio at Piramidón, with fantastic views over the city. #PanoramaMACBA



4 December 2020: Follow up meetings with Rosa Tharrats, Ruta de Autor and Eulàlia Rovira in preparation for the exhibition ‘Panorama 2021’ at the Museu d'Art Contemporani de Barcelona (MACBA). The Head of General services gives us a tour around the building to areas usually not accessible to the public (photography not allowed) to be able to imagine the original structural design by its architect Richard Meier, to remember how the original walls have changed over the years, and paying attention to the scars left from previous exhibitions – aka ‘cadavers’ amongst museum staff. #PanoramaMACBA



Photo: Eulàlia Rovira.


7 December 2020: Follow up meeting with Arash Fayez at the museum. #PanoramaMACBA


10 December 2020: Recording a guided visit of the exhibition ‘Things Things Say’ on view at Fabra i Coats: Centre d'Art Contemporani de Barcelona as a proxy to the three cancelled guided visits of the show. 

Photo: Mónica López.
 
21 December 2020: Meeting with Toni Hervàs to discuss his ongoing research around Paral·lel. #PanoramaMACBA


22 December 2020: New episode of Incidents (of Travel) from Singapore, following a tour set up by artists Fyerool Darma and Nurul Huda Rashid, and a report by curator Kathleen Ditzig. Incidents (of Travel) is an online project produced by KADIST that explores different corners of the world through chartered day-long travel itineraries as a form of artistic encounters and an extended conversation between a curator and an artist. 


2 January 2021: Always great to visit Rasmus Nilausen’s studio in L’Hospitalet and smell fresh oil paint. 
#PanoramaMACBA



8 January 2021: Screening and Q&A of Adrià Julià’s feature film ‘Popcorn’ (2012 90') at cinema Zumzeig, part of the exhibition ‘Things Things Say’ ending on January 17, 2021. 


9 January 2021: Catching up with Hiuwai in the metro on our way back from Fabra i Coats Centre d’Art Contemporani. #PanoramaMACBA


13 January 2021: 
Àngels Ponsa, Minister of Culture of the Generalitat de Catalunya, visited the exhibition ‘Things Things Say’ (centre, sitting in the chair she loaned from Palau Marc, home of the Minister of Culture of the Government of Catalonia, as part of Haegue Yang’s piece ‘VIPs Union’ (2001–ongoing), accompanied by Joana Hurtado Matheu, art centre director (right) and Max and Mariana of Latitudes (left). 


17 January 2021: Things Things Say’ ends today. Lots of Instagram stories over the last week from visitors. Check social networks archive. Weeks after we learn that 1926 people visited the exhibition over the past three months which, considering pandemic restrictions, is great news. #ThingsThingsSay
18 January 2021: Dismantling of ‘Things Things Say’ exhibition. Always sad to say goodbye to works that have been so present in our minds over the last months. It is unavoidable to think about what remains of a show once it’s gone. In times of COVID-19, this feeling is intensified as fewer people might have had the opportunity to visit, regardless of the circumstances. #ThingsThingsSay


JBM Muntatges i produccions crew and Bea Montoliu (conservation) wrapping up the furniture loaned to form Haegue Yang's piece ‘VIP’s Union’ (2001-2020).




Lifting up the protective glass on Stuart Whipps’s table.



19 January 2021: Videoconference with Antoni Hervàs to talk about his contribution to Panorama 21. #PanoramaMACBA


21 January 2021: Video call with Rosa Tharrats to discuss details of her forthcoming installation at the museum. Around this date, Gabriel Ventura and the editorial Documents Documenta, kindly agreed to give us permission to borrow the title of their latest publication for the Panorama series: ‘Notes for an Eye Fire’, for which we are very grateful. 
#PanoramaMACBA


22 January 2021: Ruta de Autor tell us to meet nearby the Torre de les Aigües del Besòs, a water deposit built in 1882 by Pere Falqués and offering stunning panoramic views over the city – and a Blinky Palermo piece Himmelsrichtungen in the entrance space. The tower is the headquarters of the Arxiu Històric de Poblenou#PanoramaMACBA








25 January 2021: Visiting the Centre d’Estudis i Documentació (CED) with Eulàlia Rovira, looking at maps, project proposals and photos of how MACBA was envisioned and ultimately built in the late 80s and early 90s. #PanoramaMACBA

Photo: Hiuwai Chu


Suitable photo albums from the former Panorama photo lab around town.

26 January 2021: Site visit with Claudia Pagès to MACBA to discuss her forthcoming participation in ‘Panorama 21: Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA


27 January 2021: Once ‘Things Things Say’ is over and the galleries are empty once again. Eulàlia Rovira films ‘A Knot Which is Knot’ (2020-21), her contribution to the recently closed exhibition based on research done throughout the exhibition period, which will premiered a few days later, on February 15. 

Photo: Eulàlia Rovira

29 January 2021: Online meeting with Bendita Gloria to go through the materials of the forthcoming publication of ‘Things Things Say’, the exhibition that just ended a few days ago at Fabra i Coats.

1 February 2021: Consecutive meetings with Toni Hervàs, Aleix Plademunt and Marria Pratts to discuss their projects on-site, alongside Eva Font (architecture department) and Berta Cervantes (Exhibition, Project Assistant). #PanoramaMACBA




9 February 2021: Live streamed press conference announcing the 2021–22 season of the Museu d'Art Contemporani de Barcelona (MACBA). ‘Panorama 21. Apunts per a un incendi dels ulls’ is finally public. #PanoramaMACBA




12 February 2021: Panorama 21 wefie after a meeting with Rasmus Nilausen in Gràcia. #PanoramaMACBA


15 February 2021: Eulàlia Rovira’s video ‘A Knot Which is Knot’, 2020 (video, 12min 21 sec, audio in Catalan) is premièred on Fabra i Coats’ YouTube channel. ‘A Knot Which is Knot’ is the result of an investigation that began with the opening ‘Things Things Say’ (Fabra i Coats: Contemporary Art Center of Barcelona17 October 2020-17 January 2021), an exhibition curated by Latitudes, which is made public once it has closed and the exhibition galleries are once again empty. 

Ver vídeo (12' 21'', audio in Catalan) 


16 February 2021: First tech checks in the exhibition galleries with Rafa Marcos of El Palomar and MACBA’s A/V technician Miquel Giner, followed by a group meeting with Claudia Pagès to go catch up on her project. 
#PanoramaMACBA




19 February 2021: Opening of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida (on view until 30 May 2021). As part of the opening day events, Lara invited visitors to experience the quarry operated by Sorigué in La Plana del Corb, which stopped its operations for a day. 

Latitudes contributed a text on her new installation and on March 18 at 6:30pm, participated in a round table online discussion with the artist and Juan Guardiola. Due to mobility restrictions between municipalities, we couldn’t attend the opening.

View of Lara Almarcegui’s exhibition ‘Graves’ (Gravel) at the Centre d'Art La Panera in Lleida. Photo: Jordi V. Pou.


22 February 2021: Video call catch up with Adrian Schindler (currently in residency at Casa Velázquez in Madrid until June 2021) to discuss his production for Panorama 21, followed by an in-person studio visit with Arash Fayez in Raval. #PanoramaMACBA

Trying to figure out the volume of works in the exhibition space.


2 March 2021: Running some tests of Aleix Plademunts work in the exhibition space while it’s empty between shows. #PanoramaMACBA




3 March 2021: Check-in meeting with Eulàlia Rovira on her ongoing research for her Panorama 21 contribution followed by a site visit by Stella Rahola to check natural light. #PanoramaMACBA





8 Març 2021: Laia Estruch visit to discuss the production of her work in the middle of the installation of Felix Gonzalez-Torres show. #PanoramaMACBA


13 March 2021: First trip outside of the city in exactly a year (tomorrow is the first anniversary of the declaration of the first state of alarm in Spain). Invited by the Centre d’Art La Panera in Lleida, we were able to attend the opening of David Bestué’s ‘Pastoral’ solo exhibition and Lara Almarcegui’s ‘Graves’ (for which we recently contributed the text of the exhibition). Forthcoming a frieze review of the exhibition by Max in the September 2021 issue.

(Above and below) Lara Almarcegui, ‘Gravera’ (2021), vídeo, 10 min. Cámara: Daniel Lacasa; y ‘Rocas y materiales de la Cordillera de los Pirineos’ (2021). Cortesía de la artista.


(Above and below) Installation view of David Bestué’s ‘Pastoral’ at the Centre d'Art la Panera, Lleida.


18 March 2021: Online conversation with Lara Almarcegui and Juan Guardiola on the occasion of Almarcegui’s solo show ‘Graves’ at Centre d’Art La Panera in Lleida.

During the conversation with Lara Almarcegui. 

23 March 2021: Catch up with a provider for Laia Estruch’s installation and discussion of Panorama’s identity with graphic designer and ‘Panorama 21’ participant, Ana Domínguez. #PanoramaMACBA



29 March 2021: Morning meeting with Rasmus Nilausen and pm meeting with Gabriel Ventura and Rosa Tharrats to discuss the progress of their respective contributions for Panorama 21, titled after Gabriel’s latest book poem ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire). #PanoramaMACBA



7, 14, 21 and 28 April 2021: Four reading groups are programmed this month as part of Adrian Schindler’s project to be presented as part of MACBA's inaugural Panorama exhibition in October 2021. These open-format groups constituted the last step before the production of his film Tetuan, Tetuán, تطوان , the first chapter of which will be shot in Barcelona in late Spring 2021. 

The reading group “A quienes la inspiraron y no la leerán: Goytisolo, Marruecos y el Otro” (To those who inspired it and will not read it: Goytisolo, Morocco and the Other) proposes a critical approach to the theoretical and fictional work of Spanish writer Juan Goytisolo (1931–2017), influenced by Morocco. Contrasting his ambition to deconstruct the islamophobic literary tradition with the fantasies that inhabit his novels, we will address issues such as the construction of the image of the Other in Spain, the ghosts of the colonial project and the tensions inherent to decolonial works developed by white cultural agents. Participants read excerpts from the novels Reivindicación del conde Don Julián (1970), Juan sin tierra (1975) and Makbara (1980), as well as from the essay collection Crónicas Sarracinas (1981). The sessions were carried out with Salma Amzian, Núria Gómez Gabriel and iki yos piña narváez funes, who contributed to examining Goytisolo’s contradictions and potentialities through other literatures and epistemologies. The meetings took place in the Parc de la Ciutadella, near a colonial monument and an orientalist sculpture. #PanoramaMACBA


2 April 2021: Video call with Claudia Pagès to check in the development of her project while at the Rijksakademie in Amsterdam. #PanoramaMACBA


7 April 2021: MACBA’s 2021-22 exhibition programme is up. Just over 6 months to the opening. #PanoramaMACBA


9 Abril 2021: Catch up meetings with Ruta de Autor and Nyamnyam (from Montpellier). #PanoramaMACBA



12 April 2021: Publications meeting with Ana Domínguez. #PanoramaMACBA



13 April 2021: Meeting with Adrian Schindler at the museum’s offices to discuss the production of his work for MACBA’s ‘Panorama’. #PanoramaMACBA


15 April 2021: Monthly catch up with the communication department with dazzling spreadsheets, followed by a visit to Stella Rahola Matutes's project at the Mies van der Rohe Pavilion. Curators’ outfits merging – too many hours together ;-) #PanoramaMACBA




22 April 2021: Design briefing with MACBA’s communication team, Marta Reus and Carla Ventosa, and Panorama 21 designers Ana Domínguez and Lara Coromina, about the exhibition. #PanoramaMACBA


30 April 2021: Meeting with Arash Fayez and walk through the museum galleries with Ana Domínguez and Lara Coromina, designers of the first edition of MACBA’s Panorama
#PanoramaMACBA



4 May 2021: Plotting with Antoni Hervàs and Marc Vives, with the valuable help of Eva Font. Tip of the day: always bring a tape measure when doing a site visit! #PanoramaMACBA

Photo: Hiuwai Chu



7 May 2021: Balcony break in between meetings with Eulàlia Rovira and Ruta de Autor#PanoramaMACBA

Photo: Hiuwai Chu



8 May 2021: Presentation of Agustín Ortiz Herrera’s research ‘To name, to own. Critique of taxonomic practice’ project and publication at the Gabinet Salvador (Institut Botànic de Barcelona), one of the best-preserved examples of a cabinet of curiosities. Agustín’s research is one of the three projects Latitudes mentored throughout 2019–20 as part of the Barcelona Producció season at La Capella.

Representation of the cabinet of curiosities by the Danish naturalist and antiquarian Ole Worm in 1655. Salvador Library, Botanical Institute of Barcelona.

11 May 2021: Recording the teaser to be launched with the announcement of the participants in the inaugural Panorama exhibition. #PanoramaMACBA



12 May 2021: Review of David Bestué’s exhibition ‘Pastoral’ at the Centre d’Art la Panera, Lleida, published online at frieze.com



12 May 2021: Visiting Ana Dominguez studio and lunch with her and Lara Coromina to discuss the elements of the exhibition graphics. #PanoramaMACBA


Some artist portraits for the exhibition website.

13 May 2021: A new
 dispatch of the ‘Incidents (of Travel)’ online series is live on incidents.kadist.org this time from Amsterdam, the Netherlands, where curator Àngels Miralda narrates a day navigating COVID restrictions with Salim Bayri. + info

17 May 2021: Jitsi catch up with nyamnyam (Iñaki Álvarez and Ariadna Rodríguez) and Pedro Pineda. #PanoramaMACBA


20 May 2021: Catch up with Eulàlia Rovira at the museum. #PanoramaMACBA


21 May 2021:
Birdwatching with Laia Estruch around the Vall del Llobregós and the plains north of Santa Maria de Montmagastrell, in preparation for her upcoming project ‘Ocells perduts’ to be premiered in MACBA’s ‘Notes for an Eye Fire’ exhibition. 
#PanoramaMACBA


22 May 2021: Laia Estruch rehearsing at El Graner. #PanoramaMACBA


Foto: Hiuwai Chu.

28 May 2021: Catch up with Ruta de Autor at the museum. #PanoramaMACBA

Photo: Hiuwai Chu.

1 June 2021: Work meeting at Rasmus Nilausen’s studio in L’Hospitalet. #PanoramaMACBA


4 June 2021: Final presentation of the graphic image of Panorama 21 by Studio Ana Dominguez. #PanoramaMACBA


7 June 2021: Meeting at TMDC in La Verneda with Pedro Pineda and nyamnyam (Ariadna Rodríguez & Iñaki Álvarez). #PanoramaMACBA



Photo: Hiuwai Chu.



8 June 2021: Visiting Rosa Tharrats and Gabriel Ventura in Cadaqués and visit Rosa’s two-person exhibition in the Museu de l’Empordà, Figueres. #PanoramaMACBA

View of the two-person exhibition ‘Tura Sanglas/ Rosa Tharrats: Un diàleg artistic. Subjectivitat de la material, poètica de l’objecte’, curated by Laura Cornejo at Museu de l’Empordà.  

‘Les babes de la molsa’ (2020) by Rosa Tharrats.

‘Els ancestres de les anênomes’ (2020) by Rosa Tharrats.

Photo: Ivo Wald.




Photo: Ivo Wald.

Meetings by the shore.

10 June 2021: Visiting Marria Pratts’ studio L’Hospitalet. #PanoramaMACBA


17 June 2021: Meeting with Arash Fayez and Rosa Tharrats and the MACBA team. #PanoramaMACBA



18 June 2021: Round of meetings with nyamnyam followed by Ruta de Autor and Stella Rahola at the museum. #PanoramaMACBA




20 June 2021: Recording the 8th and last episode of the podcast series ‘Quasi Veu’ in the lobby of Fabra i Coats – released 2 July 2021. In the first part of the +2h programme, Mariana discussed some aspects of ‘Things Things Say’, the exhibition Latitudes curated last fall at the Fabra i Coats: Centre d’Art Contemporani.


22 June 2021: Adrian Schindler filming Tetuan, Tetuán, تطوان  at Plaça Tetuan. Schindler's project will be presented as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA



1 July 2021: Announcement of ‘Notes for an Eye Fire’ participants, launch of the web with the graphic image of the Panorama exhibition series: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives. #PanoramaMACBA


6 July 2021: Online catch up with public programmes’ Tonina Cerdà and Alicia Escobio. #PanoramaMACBA


14–16 July 2021:
Press trip to visit the newly opened Hauser & Wirth, at the Illa del Rei, Maó (Menorca). Max Andrews will review Mark Bradford’s show ‘Masses and Movements’ for frieze







Carlos Cruz-Diez at Galería Cayón, Maó. 

17 July 2021: Rough cut screening of Adrian Schindlers filmTetuan, Tetuán, تطوان  to be premiered as part of MACBA’s inaugural Panorama exhibition in October 2021. #PanoramaMACBA

Photo: Hiuwai Chu.

26 July 2021: Visiting Toni Hervàs at La Escocesa alongside MACBA’s team Alex Castro, Eva Font and Berta Cervantes (conservation, architecture and coordination). #PanoramaMACBA






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PUBLICS' Library in Helsinki incorporates Latitudes-edited publications


We are glad to announce that PUBLICS in Helsinki now has all Latitudes publications available for consultation in their library (with the exception of the monograph "Lara Almarcegui, Projects 1995–2010" which is out of print). Our first publication, "LAND, ART: A Cultural Ecology Handbook" (RSA/Arts Council England, 2006, also out of print), was already in their library

PUBLICS library is the third location where the whole set of Latitudes' publications reside, together with the Library of the MACBA Study Centre, Barcelona, and the Paul D. Fleck Library & Archives, The Banff Centre, Canada.

We also donated a few books we have contributed to with essays or interviews, such as "Antoni Hervàs. ‘The Mystery of Cabiria" (Ajuntament de Barcelona, 2016), "C-H-R-I-S-T-O-P-H-E-R-K-N-O-W-L-E-S SO LISTEN UP" (NoguerasBlanchard, 2017), Rasmus Nilausen, ‘Soups & Symptoms, Paintings 2011–2016’ (Ajuntament de Barcelona, 2016) and "Lara Almarcegui. Béton" (SilvanaEditoriale, 2019).



PUBLICS library is located at Sturenkatu 37-41 4b 00550 Helsinki.

Latitudes' publications available at PUBLICS Library (bibliography online):

Joan Morey: COLLAPSE
Various locations, Barcelona
September 2018–January 2019
Exhibition guide/programme guide, opuscule, poster


4.543 billion. The matter of matter
CAPC musée d'art contemporain, Bordeaux
June 2017–January 2018
Exhibition guide & symposium guide

Amikejo
Catalogue of the exhibition series, Museo de Arte Contemporáneo de Castilla y León (MUSAC), León
April 2012

United Alternative Energies
Christina Hemauer & Roman Keller
Catalogue of the exhibition, Aarhus Art Building, Centre for Contemporary Art, Århus
January 2012

Campus
Catalogue of the project, Espai Cultural Caja Madrid, Barcelona
July 2011

Also available online.

Portscapes
Catalogue of the commission series and exhibition 'Portscapes', Port of Rotterdam / Museum Boijmans Van Beuningen, Rotterdam
February 2010

Martí Anson, Mataró Chauffeur Service
Catalogue of the project, 'No Soul For Sale', Tate Modern, London
January 2011

The Last Newspaper
Catalogue of the exhibition 'The Last Newspaper', New Museum, New York
October–December 2010

Lawrence Weiner: THE CREST OF A WAVE
Booklet of the exhibition, Fundació Suñol, Barcelona
October 2008

Simon Fujiwara: The Incest Museum–A Guide
Artist book, 'Provenances', Umberto di Marino Arte Contemporaneo, Naples
May 2009

Ignasi Aballí: 没有,有 Nothing, or Something
Catalogue of the exhibition, Suitcase Art Projects, Beijing
July 2009

Ecology, Luxury & Degradation
UOVO #14
Summer 2007

Greenwashing. Ambiente: Pericoli, Promesse e Perplessità 

(Greenwashing. Environment: Perils, Promises and Perplexities)
Catalogue of the exhibition, Fondazione Sandretto Re Rebaudengo, Turin
February 2008



→ RELATED CONTENT
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Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden


Rasmus Nilausen, ‘Better Half’ (2019), oil on linen, 160x130cm. Photo: Roberto Ruiz. Courtesy: the artist.

Max Andrews of Latitudes has written a text on Rasmus Nilausen for his forthcoming solo exhibition ‘Bluetooth’ (PDF) opening September 20, 5–8pm, at Copenhagen's Overgaden. Institute of Contemporary Art.

‘Bluetooth® is a two-way digital wireless standard that enables the exchange of information between computers, mobile phones, and other peripherals such as keyboards and headphones. For Rasmus Nilausen, painting is a technology that connects the communicative assets of drawing, writing, speaking, reading, and looking. The range of both protocols is typically less than 10 m. Could we mandate the capabilities of Nilausen-enabled devices, along with their encoding and specifications? Since around 2000, oil pigment on linen has provided Nilausen’s most widely adopted attributes and colour space. It has transmitted information and provided connectivity using the following parameters: idioms and fruits, vegetables and eyeballs, tongues and images, fingers and candles, sense and habits, nonsense and perspective, old masters and young slaves.’

—Max Andrews

The exhibition is on view until November 24, 2019.

Rasmus Nilausen, ‘Historie’ (2019), oil on linen, 40x50cm. Courtesy: the artist.

RELATED CONTENTS:
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Cover Story: July 2016 – Through the grapevine – Rasmus Nilausen’s Soups & Symptoms


New Monthly Cover Story "Through the grapevine – Rasmus Nilausen’s Soups & Symptoms" is now on www.lttds.org (after July 2016 it will be archived here)

"Rasmus Nilausen’s ‘The Cluster III’ (2014) sits tight in a cupboard in what was once the house of a priest. This painting formed just one part of the exhibition that, together with Pere Llobera, Nilausen made for the Latitudes-devised Composiciones last October (the programme of artists’ interventions returns later this year). "Vera Icon" took over the rooms of the abandoned house in the gardens of La Central bookstore, itself a former city-centre church, and tweeting Mayoress Ada Colau was one of the many curious visitors over the weekend." 

—> Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 
"Highly recommended the #BarcelonaGalleryWeekend @ArtBarcelona_AS". Twitter by Ada Colau, Barcelona Mayor during her visit to Rasmus Nilausen (photographed on the left and upper right corner) and Pere Llobera exhibition at the house of a former priest, La Central Bookstore. 

Slideshow starts here.


→ Related content:
  • Archive of Cover Stories.
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)
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Photodocumentation of the five commissions 'Composiciones' now on flickr

'Composiciones', five new commissions for the Barcelona Gallery Weekend, 1–4 October 2015.

We just uploaded photos of the five new commissions "Composiciones" on Latitudes' flickr. These projects by artists active in the Barcelona art scene complemented the first Barcelona Gallery Weekend (1–4 October 2015) programme of exhibitions and events

Each intervention responded to site and context-specific private and public location outside the contemporary art circuit – a private psychoanalytic library, the former home of the director of a ceramics factory, a public botanical collection, the home of a former priest and an invertebrate fossile collection.

Pinpointing some lesser-known aspects of the city's cultural history and municipal life, Composiciones offered moments of interruption, intimacy and immersion throughout the weekend.


 Map of the five locations for the temporary projects. 

Also on our website (highlighted in yellow where to locate it) you'll find the links to the audio and video documentation of the three talks led by Dora García as part of her intervention at the Biblioteca del Campo Freudiano. We recommend you read a nicely written account of these three sessions (in Spanish) by two of its participants.



On the same page and under 'Related content' you will find links to the press coverage related to 'Composiciones'. The most extensive and in depth review so far has been this considered and detailed blog entry by Barcelona-based art critic and curator Fede Montornés, which of course made us really happy

And last but not least, we gathered the many tweets, instagram, press links, etc. that appeared in the last few weeks in Storify.






#BarcelonaGalleryWeekend
#Composiciones

Related content:


Storify – Social media archive 

Details of the Barcelona Gallery Weekend programme

Instagram of the Barcelona Gallery Weekend
 
PRESS RELEASE: Latitudes curates "Composiciones", a series of five artists' commissions for the first Barcelona Gallery Weekend, 1–4 October 2015 


NOTA DE PRENSA: Comisariado de "Composiciones", cinco intervenciones artísticas para el primer Barcelona Gallery Weekend, 1–4 Octubre 2015



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).

Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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'Compositions' a programme of five artists' interventions for the first Barcelona Gallery Weekend, 1–4 October 2015

'Save the date' cards of the Barcelona Gallery Weekend. Graphic design: Hey Studio.

Latitudes is curating Compositions a programme of five newly commissioned temporary interventions specially produced for the first Barcelona Gallery Weekend (1–4 October 2015).

With the aim of distinguishing the Barcelona gallery weekend from similar initiatives, Latitudes' project Compositions compliments the existing calendar of exhibitions in galleries and museums by commissioning six artists active in the Barcelona art scene, to develop a series of public interventions responding to singular locations – sites significant for their architecture or their history. Here's a map of the five locations.

Latitudes has invited artists David Bestué (Barcelona, 1980. Lives in Barcelona); Dora García (Valladolid, 1965. Lives in Barcelona), Jordi Mitjà (Figueres, 1970. Lives between Lladó and Banyoles); Rasmus Nilausen (Copenhagen, 1980. Lives in Barcelona) & Pere Llobera (Barcelona, 1970. Lives in Barcelona) and Daniel Steegmann Mangrané (Barcelona, 1977. Lives in Rio de Janeiro, Brazil) to produce site-specific temporary installations and one-off performances. Pinpointing some lesser-known aspects of the city's cultural history and municipal life, Compositions offers moments of interruption, intimacy and immersion throughout the weekend. 



Cosme Toda factory complex. 
Home of the former director of the ceramic factory Cosme Toda. c/Enric Prat de la Riba 60, L'Hospitalet de Llobregat.
Opening hours: Thursday 1 October, 5–9pm;  
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

David Bestué is primarily a sculptor who is fascinated by architecture – not with its hubristic icons or celebrity heroism, but by the very normality with which architectonic tropes underpin an emotional understanding of form.

For Compositions Bestué is producing a new installation in the form of a sculptural timeline defined by ignition and invention, fat and oil, obsolescence, fluorescence, luminescence and incandescence – a history of humanity from antiquity to the present day told through the evolution and refinement of lighting technology. Sited in the domestic setting of the Director’s house within the former Cosme Toda ceramics and tile factory, the installation is companioned by a sculptural intervention recuperating pieces found in the factory, linking to Bestué's ongoing interest in the evolution of architectural materials and building techniques.



Freudian Field Library in Barcelona located at Avinguda Diagonal 333, 3º 1ª. Opening hours: Thursday 1 and Friday 2 October 5–9pm; Saturday 3 October 10am–2pm. Sunday 4 October closed.

Dora García's collaborations and performances engage with radicalism, inadequacy and the marginal. Her contribution to Compositions consists in pointing out the wealth of information and the activites programmed by the Freudian Field Library in Barcelona, an organisation founded in 1977 by Argentinean Oscar Masotta (1930–1979). García's intervention considers the library as a knot which ties together art, psychoanalysis and literature.

A display of publications drawn from the library shelves and three conversations will activate the space over consecutive days. The first talk (1 October, 7pm), a "solo" by García, will focus on the library's holdings of literary fiction. The second talk on October 2nd, at 7pm will be a group conversation moderated by García, amongst Miquel Bassols, Enric Berenguer, Rosa Calvet, Estela Paskvan and Montserrat Rodríguez, who will discuss the founding of the library and its ongoing role in Barcelona, and the final event on October 3 at 10am will be a conversation around the work of Irish novelist James Joyce and French psychiatrist and psichologist Jacques Lacan, between García and psychoanalyst Xavier Esqué and Patrick Bohan, who has worked at the James Joyce Center in Dublin. 


Former priest house, Gardens of La Central del Raval, located at Carrer d'Elisabets 8. Opening hours: Thursday 1 October, 5–9pm; Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

Rasmus Nilausen and Pere Llobera are painters that approach painting with a respect – at times melancholic, sometimes parodic – for its traditional genres and its ancient integrity as a craft. Nilausen’s canvases have often taken on ‘minor’ or anecdotal subjects such as candles or vegetables. Llobera frequently addresses the perils virtuosity and painterly heroism in his paradoxical, restless works. Nilausen and Llobera share a workspace in the Salamina studios in L’Hospitalet de Llobregat – which they cofounded – yet the invitation to collaborate in a presentation for Compositions is the first time they are exhibiting together.

In the Gardens of La Central del Raval their works occupy a former priest's house and explore "acheiropoietic" images – those that have supposedly come into being not by human hand, but miraculously. The Veil of Veronica, for example, refers to various Catholic relics and icons which tell of a piece of cloth said to have been imprinted with the image of the face of Jesus.


 

 Geological Museum of the Seminary of Barcelona is in Carrer de la Diputació, 231.
Opening hours: Thursday 1 October, 5–9pm; 
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

Jordi Mitjà’s recent “povera” approach to sculpture, has comprised works utilizing discarded wood, metal, burned paper and clay. His contribution to Compositions takes place in the Geological Museum of the Seminary of Barcelona – an institution dedicated to paleontology and the study of fossils since 1874.


Mitjà considers the borders between evolutionary biology and the ancient geology of Catalonia in an installation which focusses on a primitive relationship between materials and morphology. A series of overheard projectors illuminate the central space of the museum with a panoply of images, shadows and geometries – layers that are unearthed by Mitjà’s exploration of the geospatial taxonomy of this unique collection of 70,000 specimens.


 
Opening hours: Thursday 1 October, 5–9pm;
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

The art of Daniel Steegmann Mangrané hinges on the natural and the geometric, often splicing the unfathomable dimension of the forests of his adopted home Brazil with the clear lines of abstraction and man-made order.

His contribution to Compositions takes place amongst the subtropical plants of the 1887 Umbracle (shade house) in the Parc de la Ciutadella and centres on the acoustic installation “Surucuá, Teque-teque, Arara” (2012). We hear sounds that were recorded along a 60 metre transect through a section of the Atlantic Rainforest of Brazil, the tropical forest that Portuguese colonists would have encountered on their arrival in the year 1500. The sound loop reproduces the disembodied calls of colourful birds such as trogons and macaws which merge with the ambient sounds of the city. As if a 1:1 scale collage, the artifice of an urban botanical collection becomes intertwined with an acoustic slice of the authentically wild.

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Calendar of Related Events and Guided Visits

Thursday 1 October, 5pm:
Guided tour of the intervention by Jordi Mitjà at the Museu Geològic del Seminari de Barcelona by the artist and Latitudes.
c/ Diputació, 231

Thursday 1 October, 7pm:
Guided tour of the intervention and talk by Dora García on the library holdings of literary fiction, Biblioteca del Campo Freudiano de Barcelona (Library of the Freudian Field).
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations: [email protected]

Friday 2 October, noon:
Guided tour of the intervention by Daniel Steegmann Mangrané at the Umbracle del Parc de la Ciutadella by the artist and Latitudes.
Passeig Picasso, 13

Friday 2 October, 7pm:
Conversation moderated by Dora García with Miquel Bassols, Enric Berenguer, Rosa Calvet, Estela Paskvan and Montserrat Rodríguez, on the origins of the Biblioteca del Campo Freudiano de Barcelona, its founder Óscar Masotta and the Barcelona of 1977.
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations:
[email protected]

Friday 2 October, 7:30pm:
Guided tour of the intervention by David Bestué at the house of the former director of the Cosme Toda factory by the artist and Latitudes.
c/ Enric Prat de la Riba, 60
L’Hospitalet de Llobregat

Saturday 3 October, 10am:
Conversation between Dora García and the psychoanalyst and psychologist Xavier Esqué at the Biblioteca del Campo Freudiano around James Joyce and Jacques Lacan.
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations:
[email protected]

Sunday 4 October, noon:
Guided tour of the intervention by Rasmus Nilausen and Pere Llobera at the Jardines de La Central del Raval by the artists and Latitudes.
c/ Elisabets, 8

Additionally, ARCO Foundation offers ARCO Gallery Walks, five free guided tours around the galleries throughout the weekend. Limited places. Pre-registration required: [email protected]

Thursday 1 October
Route Eixample South
Meeting place: Galería Joan Prats at 5pm

Friday 2 October
Route Ciutat Vella – Born
Meeting place: Galería Senda at 11am

Route Montjuïc – L’Hospitalet
Meeting place: Galería Carles Taché at 5pm

Saturday 3 October
Route Ciutat Vella – Raval
Meeting place: etHALL at 11am

Route Eixample North
Meeting place: ADN Galería at 5pm

The Barcelona Gallery Weekend is an initiative of the Asociación de Galerías de Arte Contemporáneo Art Barcelona and is supported by the Ajuntament de Barcelona (ICUB), the Generalitat de Catalunya (ICEC), the Ministerio de Educación, Cultura y Deporte; and the Ajuntament de L’Hospitalet de Llobregat.

http://www.barcelonagalleryweekend.com/
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Visita de la Comisión de Programas de Hangar a los estudios de los artistas residentes, 24 Abril 2013, Barcelona

Cartel "Salvem Can Felipa" de Quim Packard colgado en la zona común de los estudios en Hangar.

El pasado 24 de Abril, cinco miembros de la Comisión de Programas 2010–2013 de Hangar (formado por Àlex Mitrani, Joan Vilapuig, Jordi Mitjà, Dora Garcia (ausente) y Max Andrews y Mariana Cánepa Luna de Latitudes) realizó una de las visitas periódicas a los artistas residentes en el centro de Poble Nou, en este caso a Llobet y Pons; Quim Packard; Aggtelek; Rasmus Nilausen; Marla Jacarilla, Raúl Nieves (blablabLAB) y Mireia c. Saladrigues

A continuación un breve sumario que recoge los tuits que publicamos durante la visita (véase https://twitter.com/lttds).

Llobet y Pons (dúo formado por Jasmina Llobet y Luis Fernandez Pons) acaban de participar en la Setouchi Triennale 2013, Japón, donde han presentado la pieza "No one wins – Minibasket". Asímismo hemos visto sus últimas investigaciones con piezas realizadas con pasta dental endurecida; al pulido de diamantes que realizaron durante una residencia en Lokaal01, Amberes, o sobre la reconversión de materiales, como es el caso de 'Ex-Fork' presentada recientemente en Can Felipa.



Quim Packard actualmente está desarrollando "Historias de amor y odio", un "relato en formado dibujo que se emite diariamente, a partir del 15 de abril, vía redes sociales (véase tumblr aquí) y que finaliza en un concierto / performance en la Capsa Jove de Tarragona, el día 24 de abril a las 19h; en motivo de la presentación de la publicación 2012 del CA Tarragona Centro de Arte" (web de Hangar).


 

En el estudio del dúo Aggtelek (Gema Perales and Xandro Valles) vimos la serie de pinturas realizadas a partir de collages que envían a una de las fábricas de producción (prácticamente mecánica) de pintura en China para su realización. Éstas han sido recientemente presentadas en la Galería José Robles en Madrid, y próximamente se presentará un conjunto similar en 18a edición de la feria Liste en Basilea con la galería Exile de Berlin.



Marla Jacarilla fue ganadora de la reciente convocatoria BCN Producció 2013 con el proyecto "Acotaciones tras la cuarta pared" que inaugurará el próximo 15 de Mayo en el Espai Cub de La Capella en Barcelona. "'Acotaciones tras la cuarta pared' es un drama en cuatro actos cuyo tono oscila entre lo trágico, cómico, fársico y metalingüístico. Una historia en la que un presunto demiurgo conversa con personajes existentes que pertenecen a otras obras teatrales y que se han trasladado al momento actual" (web de La Capella).




En el 2012 Rasmus Nilausen expuso 'Sisyphus, rhopography and a headless chicken' (ver video) en el espacio de La Capella (como ganador de la convocatoria BCN Producció 2012), Barcelona y en el 2013 tuvo la exposición 'Still' en la nueva galería madrileña García Galería.



Raúl Nieves del dúo blablabLAB nos presentó su trabajo con impresoras 3D y herramientas de código libre que realiza a través de talleres programados periódicamente desde Hangar.

La entrevista con Mireia c. Saladrigues tuvo lugar via skype ya que se encuentra preparando 'No tocar, por favor', una exposición colectiva en el ARTIUM de Vitoria comisariada por Jorge Luis Marzo (blog del proyecto aquí) que inaugura en un par de semanas en Vitoria.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
 

Creative Commons Licence
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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