Longitudes

Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden


Rasmus Nilausen, ‘Better Half’ (2019), oil on linen, 160x130cm. Photo: Roberto Ruiz. Courtesy: the artist.

Max Andrews of Latitudes has written a text on Rasmus Nilausen for his forthcoming solo exhibition ‘Bluetooth’ opening September 20, 5–8pm, at Copenhagen's Overgaden. Institute of Contemporary Art.

‘Bluetooth® is a two-way digital wireless standard that enables the exchange of information between computers, mobile phones, and other peripherals such as keyboards and headphones. For Rasmus Nilausen, painting is a technology that connects the communicative assets of drawing, writing, speaking, reading, and looking. The range of both protocols is typically less than 10 m. Could we mandate the capabilities of Nilausen-enabled devices, along with their encoding and specifications? Since around 2000, oil pigment on linen has provided Nilausen’s most widely adopted attributes and colour space. It has transmitted information and provided connectivity using the following parameters: idioms and fruits, vegetables and eyeballs, tongues and images, fingers and candles, sense and habits, nonsense and perspective, old masters and young slaves.’

—Max Andrews


The exhibition is on view until November 24, 2019.

Rasmus Nilausen, ‘Historie’ (2019), oil on linen, 40x50cm. Courtesy: the artist.


RELATED CONTENTS:

Cover Story: July 2016 – Through the grapevine – Rasmus Nilausen’s Soups & Symptoms


New Monthly Cover Story "Through the grapevine – Rasmus Nilausen’s Soups & Symptoms" is now on www.lttds.org (after July 2016 it will be archived here)

"Rasmus Nilausen’s ‘The Cluster III’ (2014) sits tight in a cupboard in what was once the house of a priest. This painting formed just one part of the exhibition that, together with Pere Llobera, Nilausen made for the Latitudes-devised Composiciones last October (the programme of artists’ interventions returns later this year). "Vera Icon" took over the rooms of the abandoned house in the gardens of La Central bookstore, itself a former city-centre church, and tweeting Mayoress Ada Colau was one of the many curious visitors over the weekend." 

—> Continue reading...

Cover Stories' are published on a monthly basis on Latitudes' homepage to highlight past, present or forthcoming projects, research, exhibitions or field trips related to our activities. 
"Highly recommended the #BarcelonaGalleryWeekend @ArtBarcelona_AS". Twitter by Ada Colau, Barcelona Mayor during her visit to Rasmus Nilausen (photographed on the left and upper right corner) and Pere Llobera exhibition at the house of a former priest, La Central Bookstore. Slideshow starts here.

Related content:
  • Archive of Cover Stories.
  • Last days! Cover Story and exhibition of José Antonio Hernández-Díez: techno-pop, death and resurrection (20 June 2016)
  • Cover Story, May 2016: Material histories – spilling the beans at the CAPC musée d’art contemporain de Bordeaux (10 May 2016)
  • Cover Story, March 2016: José Antonio Hernández-Díez: The sacred heart of the matter (3 March 2016
  • Cover Story, February 2016: Sarah Ortmeyer, Towering allusions (9 Febrero 2016)

Photodocumentation of the five commissions 'Composiciones' now on flickr

'Composiciones', five new commissions for the Barcelona Gallery Weekend, 1–4 October 2015.

We just uploaded photos of the five new commissions "Composiciones" on Latitudes' flickr. These projects by artists active in the Barcelona art scene complemented the first Barcelona Gallery Weekend (1–4 October 2015) programme of exhibitions and events

Each intervention responded to site and context-specific private and public location outside the contemporary art circuit – a private psychoanalytic library, the former home of the director of a ceramics factory, a public botanical collection, the home of a former priest and an invertebrate fossile collection.

Pinpointing some lesser-known aspects of the city's cultural history and municipal life, Composiciones offered moments of interruption, intimacy and immersion throughout the weekend.


 Map of the five locations for the temporary projects. 

Also on our website (highlighted in yellow where to locate it) you'll find the links to the audio and video documentation of the three talks led by Dora García as part of her intervention at the Biblioteca del Campo Freudiano. We recommend you read a nicely written account of these three sessions (in Spanish) by two of its participants.



On the same page and under 'Related content' you will find links to the press coverage related to 'Composiciones'. The most extensive and in depth review so far has been this considered and detailed blog entry by Barcelona-based art critic and curator Fede Montornés, which of course made us really happy

And last but not least, we gathered the many tweets, instagram, press links, etc. that appeared in the last few weeks in Storify.






#BarcelonaGalleryWeekend
#Composiciones

Related content:


Storify – Social media archive 

Details of the Barcelona Gallery Weekend programme

Instagram of the Barcelona Gallery Weekend
 
PRESS RELEASE: Latitudes curates "Composiciones", a series of five artists' commissions for the first Barcelona Gallery Weekend, 1–4 October 2015 


NOTA DE PRENSA: Comisariado de "Composiciones", cinco intervenciones artísticas para el primer Barcelona Gallery Weekend, 1–4 Octubre 2015



This is the blog of the independent curatorial office Latitudes. Follow us on Facebook and Twitter.
All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption).

Work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

'Compositions' a programme of five artists' interventions for the first Barcelona Gallery Weekend, 1–4 October 2015

'Save the date' cards of the Barcelona Gallery Weekend. Graphic design: Hey Studio.

Latitudes is curating Compositions a programme of five newly commissioned temporary interventions specially produced for the first Barcelona Gallery Weekend (1–4 October 2015).

With the aim of distinguishing the Barcelona gallery weekend from similar initiatives, Latitudes' project Compositions compliments the existing calendar of exhibitions in galleries and museums by commissioning six artists active in the Barcelona art scene, to develop a series of public interventions responding to singular locations – sites significant for their architecture or their history. Here's a map of the five locations.

Latitudes has invited artists David Bestué (Barcelona, 1980. Lives in Barcelona); Dora García (Valladolid, 1965. Lives in Barcelona), Jordi Mitjà (Figueres, 1970. Lives between Lladó and Banyoles); Rasmus Nilausen (Copenhagen, 1980. Lives in Barcelona) & Pere Llobera (Barcelona, 1970. Lives in Barcelona) and Daniel Steegmann Mangrané (Barcelona, 1977. Lives in Rio de Janeiro, Brazil) to produce site-specific temporary installations and one-off performances. Pinpointing some lesser-known aspects of the city's cultural history and municipal life, Compositions offers moments of interruption, intimacy and immersion throughout the weekend. 



Cosme Toda factory complex. 
Home of the former director of the ceramic factory Cosme Toda. c/Enric Prat de la Riba 60, L'Hospitalet de Llobregat.
Opening hours: Thursday 1 October, 5–9pm;  
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

David Bestué is primarily a sculptor who is fascinated by architecture – not with its hubristic icons or celebrity heroism, but by the very normality with which architectonic tropes underpin an emotional understanding of form.

For Compositions Bestué is producing a new installation in the form of a sculptural timeline defined by ignition and invention, fat and oil, obsolescence, fluorescence, luminescence and incandescence – a history of humanity from antiquity to the present day told through the evolution and refinement of lighting technology. Sited in the domestic setting of the Director’s house within the former Cosme Toda ceramics and tile factory, the installation is companioned by a sculptural intervention recuperating pieces found in the factory, linking to Bestué's ongoing interest in the evolution of architectural materials and building techniques.



Freudian Field Library in Barcelona located at Avinguda Diagonal 333, 3º 1ª. Opening hours: Thursday 1 and Friday 2 October 5–9pm; Saturday 3 October 10am–2pm. Sunday 4 October closed.

Dora García's collaborations and performances engage with radicalism, inadequacy and the marginal. Her contribution to Compositions consists in pointing out the wealth of information and the activites programmed by the Freudian Field Library in Barcelona, an organisation founded in 1977 by Argentinean Oscar Masotta (1930–1979). García's intervention considers the library as a knot which ties together art, psychoanalysis and literature.

A display of publications drawn from the library shelves and three conversations will activate the space over consecutive days. The first talk (1 October, 7pm), a "solo" by García, will focus on the library's holdings of literary fiction. The second talk on October 2nd, at 7pm will be a group conversation moderated by García, amongst Miquel Bassols, Enric Berenguer, Rosa Calvet, Estela Paskvan and Montserrat Rodríguez, who will discuss the founding of the library and its ongoing role in Barcelona, and the final event on October 3 at 10am will be a conversation around the work of Irish novelist James Joyce and French psychiatrist and psichologist Jacques Lacan, between García and psychoanalyst Xavier Esqué and Patrick Bohan, who has worked at the James Joyce Center in Dublin. 


Former priest house, Gardens of La Central del Raval, located at Carrer d'Elisabets 8. Opening hours: Thursday 1 October, 5–9pm; Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

Rasmus Nilausen and Pere Llobera are painters that approach painting with a respect – at times melancholic, sometimes parodic – for its traditional genres and its ancient integrity as a craft. Nilausen’s canvases have often taken on ‘minor’ or anecdotal subjects such as candles or vegetables. Llobera frequently addresses the perils virtuosity and painterly heroism in his paradoxical, restless works. Nilausen and Llobera share a workspace in the Salamina studios in L’Hospitalet de Llobregat – which they cofounded – yet the invitation to collaborate in a presentation for Compositions is the first time they are exhibiting together.

In the Gardens of La Central del Raval their works occupy a former priest's house and explore "acheiropoietic" images – those that have supposedly come into being not by human hand, but miraculously. The Veil of Veronica, for example, refers to various Catholic relics and icons which tell of a piece of cloth said to have been imprinted with the image of the face of Jesus.


 

 Geological Museum of the Seminary of Barcelona is in Carrer de la Diputació, 231.
Opening hours: Thursday 1 October, 5–9pm; 
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

Jordi Mitjà’s recent “povera” approach to sculpture, has comprised works utilizing discarded wood, metal, burned paper and clay. His contribution to Compositions takes place in the Geological Museum of the Seminary of Barcelona – an institution dedicated to paleontology and the study of fossils since 1874.


Mitjà considers the borders between evolutionary biology and the ancient geology of Catalonia in an installation which focusses on a primitive relationship between materials and morphology. A series of overheard projectors illuminate the central space of the museum with a panoply of images, shadows and geometries – layers that are unearthed by Mitjà’s exploration of the geospatial taxonomy of this unique collection of 70,000 specimens.


 
Opening hours: Thursday 1 October, 5–9pm;
Friday 2, Saturday 3 and Sunday 4: 11am–8pm.

The art of Daniel Steegmann Mangrané hinges on the natural and the geometric, often splicing the unfathomable dimension of the forests of his adopted home Brazil with the clear lines of abstraction and man-made order.

His contribution to Compositions takes place amongst the subtropical plants of the 1887 Umbracle (shade house) in the Parc de la Ciutadella and centres on the acoustic installation “Surucuá, Teque-teque, Arara” (2012). We hear sounds that were recorded along a 60 metre transect through a section of the Atlantic Rainforest of Brazil, the tropical forest that Portuguese colonists would have encountered on their arrival in the year 1500. The sound loop reproduces the disembodied calls of colourful birds such as trogons and macaws which merge with the ambient sounds of the city. As if a 1:1 scale collage, the artifice of an urban botanical collection becomes intertwined with an acoustic slice of the authentically wild.

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#Composiciones
#BarcelonaGalleryWeekend
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Calendar of Related Events and Guided Visits

Thursday 1 October, 5pm:
Guided tour of the intervention by Jordi Mitjà at the Museu Geològic del Seminari de Barcelona by the artist and Latitudes.
c/ Diputació, 231

Thursday 1 October, 7pm:
Guided tour of the intervention and talk by Dora García on the library holdings of literary fiction, Biblioteca del Campo Freudiano de Barcelona (Library of the Freudian Field).
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations: [email protected]

Friday 2 October, noon:
Guided tour of the intervention by Daniel Steegmann Mangrané at the Umbracle del Parc de la Ciutadella by the artist and Latitudes.
Passeig Picasso, 13

Friday 2 October, 7pm:
Conversation moderated by Dora García with Miquel Bassols, Enric Berenguer, Rosa Calvet, Estela Paskvan and Montserrat Rodríguez, on the origins of the Biblioteca del Campo Freudiano de Barcelona, its founder Óscar Masotta and the Barcelona of 1977.
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations:
[email protected]

Friday 2 October, 7:30pm:
Guided tour of the intervention by David Bestué at the house of the former director of the Cosme Toda factory by the artist and Latitudes.
c/ Enric Prat de la Riba, 60
L’Hospitalet de Llobregat

Saturday 3 October, 10am:
Conversation between Dora García and the psychoanalyst and psychologist Xavier Esqué at the Biblioteca del Campo Freudiano around James Joyce and Jacques Lacan.
Avda. Diagonal 333, 3º 1ª
Limited seating. Reservations:
[email protected]

Sunday 4 October, noon:
Guided tour of the intervention by Rasmus Nilausen and Pere Llobera at the Jardines de La Central del Raval by the artists and Latitudes.
c/ Elisabets, 8

Additionally, ARCO Foundation offers ARCO Gallery Walks, five free guided tours around the galleries throughout the weekend. Limited places. Pre-registration required: [email protected]

Thursday 1 October
Route Eixample South
Meeting place: Galería Joan Prats at 5pm

Friday 2 October
Route Ciutat Vella – Born
Meeting place: Galería Senda at 11am

Route Montjuïc – L’Hospitalet
Meeting place: Galería Carles Taché at 5pm

Saturday 3 October
Route Ciutat Vella – Raval
Meeting place: etHALL at 11am

Route Eixample North
Meeting place: ADN Galería at 5pm

The Barcelona Gallery Weekend is an initiative of the Asociación de Galerías de Arte Contemporáneo Art Barcelona and is supported by the Ajuntament de Barcelona (ICUB), the Generalitat de Catalunya (ICEC), the Ministerio de Educación, Cultura y Deporte; and the Ajuntament de L’Hospitalet de Llobregat.

http://www.barcelonagalleryweekend.com/

Visita de la Comisión de Programas de Hangar a los estudios de los artistas residentes, 24 Abril 2013, Barcelona

Cartel "Salvem Can Felipa" de Quim Packard colgado en la zona común de los estudios en Hangar.

El pasado 24 de Abril, cinco miembros de la Comisión de Programas 2010–2013 de Hangar (formado por Àlex Mitrani, Joan Vilapuig, Jordi Mitjà, Dora Garcia (ausente) y Max Andrews y Mariana Cánepa Luna de Latitudes) realizó una de las visitas periódicas a los artistas residentes en el centro de Poble Nou, en este caso a Llobet y Pons; Quim Packard; Aggtelek; Rasmus Nilausen; Marla Jacarilla, Raúl Nieves (blablabLAB) y Mireia c. Saladrigues

A continuación un breve sumario que recoge los tuits que publicamos durante la visita (véase https://twitter.com/lttds).

Llobet y Pons (dúo formado por Jasmina Llobet y Luis Fernandez Pons) acaban de participar en la Setouchi Triennale 2013, Japón, donde han presentado la pieza "No one wins – Minibasket". Asímismo hemos visto sus últimas investigaciones con piezas realizadas con pasta dental endurecida; al pulido de diamantes que realizaron durante una residencia en Lokaal01, Amberes, o sobre la reconversión de materiales, como es el caso de 'Ex-Fork' presentada recientemente en Can Felipa. 


Quim Packard actualmente está desarrollando "Historias de amor y odio", un "relato en formado dibujo que se emite diariamente, a partir del 15 de abril, vía redes sociales (véase tumblr aquí) y que finaliza en un concierto / performance en la Capsa Jove de Tarragona, el día 24 de abril a las 19h; en motivo de la presentación de la publicación 2012 del CA Tarragona Centro de Arte" (web de Hangar).

 
En el estudio del dúo Aggtelek (Gema Perales and Xandro Valles) vimos la serie de pinturas realizadas a partir de collages que envían a una de las fábricas de producción (prácticamente mecánica) de pintura en China para su realización. Éstas han sido recientemente presentadas en la Galería José Robles en Madrid, y próximamente se presentará un conjunto similar en 18a edición de la feria Liste en Basilea con la galería Exile de Berlin.


Marla Jacarilla fue ganadora de la reciente convocatoria BCN Producció 2013 con el proyecto "Acotaciones tras la cuarta pared" que inaugurará el próximo 15 de Mayo en el Espai Cub de La Capella en Barcelona. "'Acotaciones tras la cuarta pared' es un drama en cuatro actos cuyo tono oscila entre lo trágico, cómico, fársico y metalingüístico. Una historia en la que un presunto demiurgo conversa con personajes existentes que pertenecen a otras obras teatrales y que se han trasladado al momento actual" (web de La Capella).

En el 2012 Rasmus Nilausen expuso 'Sisyphus, rhopography and a headless chicken' (ver video) en el espacio de La Capella (como ganador de la convocatoria BCN Producció 2012), Barcelona y en el 2013 tuvo la exposición 'Still' en la nueva galería madrileña García Galería.


Raúl Nieves del dúo blablabLAB nos presentó su trabajo con impresoras 3D y herramientas de código libre que realiza a través de talleres programados periódicamente desde Hangar.

La entrevista con Mireia c. Saladrigues tuvo lugar en skype ya que se encuentra preparando 'No tocar, por favor', una exposición colectiva en el ARTIUM de Vitoria, comisariada por Jorge Luis Marzo (blog del proyecto aquí) que inaugura en un par de semanas en Vitoria.


All photos: Latitudes | www.lttds.org (except when noted otherwise in the photo caption)
 

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Founded in 2005 by Max Andrews and Mariana Cánepa Luna, Latitudes is a curatorial office based in Barcelona, Spain, that works internationally across contemporary art practices.

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